Right. You’ve done your research, plotted your story, given your characters a back story, meaning and a sweet smile. Now all you have to do is make a decision on how you’re going to write your characters to life on a page.
The most common way to approach a story – in any medium (e.g. feature article, film, novel etc) is a combination of third and first person.
While in the heat of the creative process, you may not be thinking “here I will write first person, there third…” there is process – a negotiation, or continual compensation, artists make, to best express what one’s trying to say, or to what effect or response, you’re trying to elicit from your audience.
Being aware of this process bubbling away in the background, does help the writer to make better narrative choices, which ultimately improves the quality of your writing.
Third Person, helps to set the scene, give context to a situation, and positions the audience.
First Person, creates intimacy, likeability or detestability (depending on your character), and it helps the audience to engage with, and ultimately – care about your character and what happens to them.
The challenge for the writer is in striking a balance between the two narrative voices. Overuse of Third Person, can sometimes lead to too much exposition – which is just lazy writing. Underuse of it can result in disorientation for the audience and, lack of context results in shallow characters…
Overuse of First Person is equally slippery; too much dialogue turns into fractured monologues and we’re likely to fall asleep…too little First Person point of view makes it hard to empathise and care about the character’s personality.
When writing, think about the images / scene in your head as if you’re watching a film. A good Director will know when a close up shot is needed here, or a panoramic shot is required over there. Changing point of views, all helps to create a textually rich experience for the viewer – and these creative decisions are no different when putting pen to paper.
Till next time crack a queer whid!
Psst! Writing in Second Person is unusual in narration – unless you’re writing on behalf of a Corporate Institution – where both the individual and organisation try to impress a denial of culpability (some vague ‘we’ is tossed about the page)… The only other scenario where Second Person is acceptable is in a collaborative piece.